Showing posts with label sharee anne gorman. Show all posts
Showing posts with label sharee anne gorman. Show all posts

Friday, June 5, 2015

"I See" excerpt from Primal Scream by annienomad~cyberpoet


I See


I See…her cringe at his arrogant,
pac-10, six-pack-fueled bid for status
I see…him grow resigned and flaccid
for the bones that protrude beneath
her starving skin

I See…the gay and well-heeled rebels
of the family paradigm
sucked back in through fear of loneliness
and threat of disease

I See…the commuter and his fight for air
and the road less traveled
I See…the child at play in a hostile
not-yet-completely-disguised
miniature monkey asphalt jungle

I See…the old couple bent from the lies
and assurances that kept them placid
members of a society that has,
so readily, forgotten them

I See…the pop culture suicide of
an instant-icon generation who
"dare to say no"
but fill their prescriptions
with a resounding
"yes!"

I See…the desperation
of an exploded population
and the growing realization
that maybe
God
isn't with us


©2008 Sharee Anne Gorman




Wednesday, June 25, 2014

"The Game" Animated Poem by Social Poet Sharee Anne Gorman (annienomad-cyberpoet)

"The Game" is a call for peace, an appeal for brotherhood over ideology and a reproach for those who have for centuries used cultural beliefs to divide and conquer the many, in order to benefit the few. 


The Game

by
Sharee Anne Gorman
(annienomad-cyberpoet)
 
 
 

Wednesday, April 30, 2014

REDACTED - A Novel in Progress by Sharee Anne Gorman

 

REDACTED:

obscuring or removing
sensitive information
for publication or release;
broadly edited.

 
 
 

Chapter One

 

Obedience should not then be seen as an act of subjugation to authority, but rather a voluntary agreement between free individuals to ensure mutual survival through state-organized, collective co-operation. 
 
- The Responsible Citizen’s Collective Continuum Manual

 

Seated in the immaculately-maintained morning commuter train, Christian stares, transfixed, at a handwritten message scrawled on the, otherwise pristine, subway wall.  
“History is Changing”.
The passenger train doors close with a hiss and overhead lights flicker as the train slowly pulls away from the station. When Christian looks again, the writing is gone. He sits, blinking , in his highly-polished, molded-plastic bench. Slightly jostled by the motion of the train and the here-one-minute, gone-the-next message.
Christian looks around to see if anyone, besides himself, saw the momentary apparition but his fellow passengers are oblivious, quietly settling into their pre-assigned seating.

The well-mannered passengers are the embodiment of calm, dressed neatly in their state-approved, black and white monochrome palette. The only hint of color, besides the occasional lipstick, being their numbered identity markers: necklaces for women, wrist-bands for men, which match the number on their seat and the color of their designated commuter section.  
Surely, Christian had been seeing things? Perhaps, afflicted by what the Center for Impulse Analysis would call an “Unproductive Synaptic Formation”? But what concerns Christian most isn’t the cryptic nature of the message, it’s the appearance of an unauthorized thought, in an unauthorized location.
It says right in the “Responsible Citizen’s Collective Continuum” Manual that: “subway walls are reserved exclusively for the Productive Synaptic Re-enforcement of the properly integrated citizen”.
What did it say about his civic commitment that he perceived, if only in his mind’s eye, a desecration of one of the explicitly-stated, communal strictures of the Collective Continuum? 
Christian looks around him again. He quietly considers his orderly, perfectly-maintained and impassively-correct fellow passengers with sudden affection and grave concern. An unfamiliar mist rises in Christian’s eyes and he heaves an inadvertent sigh.  
A quiet sound, but one that draws darting looks from conspicuously unturned heads.
Ignoring the air of tension around him, Christian lifts his left wrist and pushes the central button on the biometric personal data device implanted in his arm. The LCD screen lights up and a young woman, with an impassive face speaks directly to Christian from the screen. “Good morning. Please state the nature of your report.”
Christian takes a deep breath, draws the data device closer to his lips and states clearly, but in a low voice, “I am a threat”.
The young woman’s face registers a slight frown. She addresses him in a curt but polite tone, “I was unable to process your report. Please speak in the pre-authorized volume”. 
Christian clenches his jaw and looks around, shame-faced. He clears his throat, then in a loud and resonate voice declares, “I am a threat.”
Passengers around Christian scatter, like soap on an oil slick, to the farthest recesses of the subway car.
The young woman on the screen nods and consults a data screen just out of frame. She speaks calmly, “I see that you are on the 115 headed toward Victory Center.” She looks directly at Christian again. “Please remain where you are. A threat extraction team will intercept you at the next stop and escort you to the nearest Adjustment Center.” Then, with sincere gratitude, “Thank you, Responsible Citizen, for your diligence in serving the Collective Continuum.”
The screen goes blank. There is no sound, other than the gentle rhythm of the passenger car.
Christian stares at his hands, conspicuously alone among the abruptly abandoned seats. He quietly accepts the looks of fearful distrust cast upon him by his fellow passengers. Their stunned silence is shattered by the sound of squealing brakes as the train eases into the next station, followed quickly by the hiss of the automatic, hydraulic doors.
Christian steels himself then stands to face the elite, armed-to-the-teeth, military extraction team now swarming into the suddenly cramped subway car. He puts up no resistance. Within seconds, Christian is shackled, drugged from a single-dose, nerve gas capsule popped under his nose and carried away, unconscious. Suspended, boneless as a rag doll, between the two marching columns of his highly-armored escort.
There is blackness…then.
Christian’s opiate-heavy lids flicker slightly. Slowly and with great effort, he manages to pry them apart and look around him with groggy, technically open, yet still functionally-unseeing eyes.
Through his slowly dissipating haze, shapes begin to emerge. Christian can just make out the outline of a white coat and the hint of a person behind the cold, smooth edges of an electronic medical pad. He blinks hard to bring the intelligent, aloof and efficiently beautiful face of his assigned doctor into focus.
Christian stares at her, stunned, not certain if the vision is a product of an actual reality, or a result of the heavy drugs recently administered. As a pre-caution, he holds his breath, afraid of shattering what seems to him, a fragile moment.
“Mr. Porter? Are you back with us?” Her voice, as well-modulated as her clinical expression, carries within it no hint of personal attachment as she uses a handheld bio-reader to check his pupils and measure his other vital signs.
Christian tries to sit up but finds he is completely immobile. With only the movement of his eyes he discerns that he is shackled to a medical table, outfitted with metal latches from head to toe. His gaze follows the easily more than dozen electrodes running from his exposed, all but naked body to a beeping, quietly cycling, medical monitor.
A look of fear passes over Christian’s face.
The doctor sees his panic and her demeanor softens slightly, “These restraints are only in place to help stabilize you during your scan. You needn’t be alarmed, they are not a reflection on your civic commitment.”

She places her hands on his chest to quite his rising fear. Her touch returns him to a state of calm.
The doctor flips a switch on the control console , “Here, maybe it will help you to watch the progress of your neuro-map.” Christian’s eyes widen as a computer-generated, holographic image of his own brain fills the room. He is hit by sudden wave of nausea.
The doctor sees this and turns to point out a red, pulsing quadrant of his brain, hoping an explanation of the process will provide a welcome distraction. “You see this agitated area here? This is your prelimbic cortex which registers fear response. It is connected to the basal and central nucleus of the amygdala which sends “fight or flight” signals to your autonomic and endocrine receptors.”

The doctor speaks to Christian over her shoulder, “In everyday functionality, this event would be cause for concern as the Collective Continuum has been scientifically and socially engineered to eradicate animal fear response in the properly integrated citizen. But these are rather extraordinary circumstances: you are in unfamiliar surroundings, encountering previously unexperienced stimuli and those indicators will be mathematically factored in to your final neuro-map analysis.”
The doctor turns back to Christian with a reassuring smile, “So, you see, you can relax. You will not be cited for these readings.”  
Christian nods, but looks somewhat less than reassured. A stifled gag indicates to the doctor that Christian is losing his battle to control his nausea.
“Your nausea is perfectly normal. Seeing the inner-workings of your own brain can be very disorienting to some subjects.”
The doctor moves quickly as she speaks. She checks the status of his scan, waits for the progress prompt to read: “Complete”, then grabs a stainless steel container and hits the “restraint release” button on the table all in the same motion.
The metal restraints release and Christian leans over the side of the table just in time to avoid choking on his own vomit. The doctor offers him the container, but it’s too late.
She and Christian stare at her freshly anointed, chunk-splattered, shoes.
The doctor gives Christian an exasperated look, the hint of a smile pulling at the corners of her usually serious mouth. “You will, however, be cited for THAT”.
Christian can’t help but chuckle as he rolls back onto the table.

Though clearly sliding quickly toward unconsciousness, he manages to ask the question that has been burning in his mind from the moment he awoke. “What's your name?”
Barely able to focus, Christian fights the encroaching darkness as he struggles to hold onto the image of her beautiful, now hesitant face. Finally, she smiles and answers in a low, soft voice. “It’s Eva.”
Eva suddenly remembers herself and checks surreptitiously over her shoulder, “I mean…(clears her throat) Doctor Bennett.”
Christian smiles, exhausted. “Eva.”
He passes out. Her name, more prayer than statement, still lingering on his unconscious lips.

Tuesday, April 8, 2014

The Tide (A Folk/Protest Song) by Sharee Anne Gorman

 The Tide 
Written and Performed
by
Sharee Anne Gorman
(annienomad-cyberpoet) 
 
 The Tide  
(rough mix...not mastered)
 
I spent the day at Moose-Creek-Recording-Studio yesterday
to get my folk/protest song "The Tide"
set to music.
 
It's been many years since I have sung into a professional mic capable of picking up every last tremble and waver of my voice...and the terror is pretty apparent in my voice:) 
 
I may not have the chops for professional level recording, but I'm glad I did it because I wanted to hear what the song sounded like with accompaniment.
 
I chose a very stripped-down instrumental because I wanted the music to be as stark as the working conditions and lives of the miners and tireless labor activists who placed themselves in harm's way to get fair and safe working conditions for exploited laborers. 
 
Kevin at Moose Creek Recording was very patient and did what he could to digitally smooth out my nerves. I'll have to work on my fear in order to push through to the quality of my relaxed voice...but it's a start.
 
Moose Creek provides a very relaxed atmosphere, with a cutting-edge, state-of-the-art set-up. The owner, Kevin, is a patient and professional musician/technician. He takes you step-by-step through pre-recording practice to sound-booth recording and sound-board mixing, so that you have input and can make adjustments throughout every step of the song recording process.  
  
Kevin Deily, the owner of Moose Creek Recording Studio, also plays bass on this track.
Thank you, Kevin!
 
 
Please feel free to check out and "Like" my facebook page:
We are a 21st Century Digital Peace March!
 
No traffic jams!
No missed work days!
No pepper-spray!
No head-bashing!
 
We have a 5 Star Rating, but we could always use more!
:) 
 
 
 *Recording picture was taken in 2011, the day I first recorded "The Tide" a cappella) 
 
 

Wednesday, April 3, 2013

Truce - Children of War by Sharee Anne Gorman (annienomad-cyberpoet)

 

Truce


(for all Children of War) 

today,
I did not waken to
the sounds of war

morning tea
was not seasoned
by the mist of
crumbling mortar

 my gun,
left on a makeshift
and empty table

 …I go in search of food…

 the theater is gone,
broken rows of empty seats
no longer watch the stage

 where am I? 

signs are missing
familiar landmarks lie lost
among the scattered rubble

 …I hear the crying man before I see him…
 
 how long has he been crying?
 
by the looks of his dead family
must be about a week 
he’ll be gone soon too,
you can tell

 shit! 

there’s the pharmacy
blown to hell 

…“little bit” needs medicine… 
but I don’ know what kind
and I don’t know how much 

God! 

where’s the relief truck?
are they sending supplies?
 what day is it?
what year? 

the streets are so quiet 

silent, almost 
as if, grief
naturally muffles 

…I want to cry…but nothing comes… 

no tears
no prayers
no help 

I have to go back
 
 back and tell “little bit”,
still no food 
“little bit”,
who’s growing weaker
“little bit”,
who likes to bug me at school
“little bit”,
who will die
during my afternoon nap 

…today, I woke to find… 

I had slept through my sister’s
final farewell

 
(excerpt from my book "Legends, Myths & Journeys)
 


©2000shareeannegorman
(annienomad-cyberpoet)
http://annienomad.com

Tuesday, March 12, 2013

The Crafting - A Poem by annienomad-cyberpoet

 

The Crafting

 
 
My chalice for filling,
with wine for the wedding.
Heat searing the course
in the craft of our melding.
 
Aged-leather for binding,
the creature still raging.
Horns worn from uncoupling
the craft of forgiving.
 
Soft pillows for muffling
the screams of unlocking
potential from chaos.
 
The craft of life's longing.
 
Love waits for the day
when illusion gives way.
And hearts are thrown wide
to the child lost inside...
 
Who remembers the dreams
and keeps them alive,
for the ones who survive...
 
The long night of
the crafting.
 
 
3/12/2013
 
 
©2013shareeannegorman
http://annienomad.com
 
 
 


Tuesday, December 18, 2012

"Vigil" A Poem of American Crisis by annienomad-cyberpoet


"Vigil" 
A Poem of American Crisis
by
Sharee Anne Gorman
(annienomad-cyberpoet)


 rows of cameras roll
in silent running
 
recording for posterity
the scattered points of light
clustering steadily into pools
of brightly-lit umbrellas

unintended Chinese lanterns
gathered in grief

feeling very much the intruders
news crews bear witness to
a community in shock

humbled and shaken
they shiver at the sight of
orphaned parents protecting
the fragile flames of their
dwindling, yet somehow eternal,
remembrance candles

sodden handkerchiefs
are folded and refolded
by owners searching desperately
for an unused corner to dry
chapped and moistened cheeks

sleeves serve almost as well
for the less prepared

while those who stand
stone-faced and stubborn
leave tears to find
their own course

numbly offering up body salts
to the soggy ground beneath
unsteady feet

we’ve stopped asking “why”
"why" has lost all meaning

but the words “enough”
and “no more”
are quickly gaining
ground

we don’t care anymore
if it’s the guns,
the video games,
the horror movies
...or the meds...

those are just the symptoms of
an over-sold
and misspent culture

...we just want it to stop...

to understand the
reflection in this mirror
of our collective conscience

...the mirror to our madness...

a reflection that has become
...a vigil...
in its own right

12/17/12 

©2012shareeannegorman
http://annienomad.com

Friday, July 6, 2012

We the People - Rebel Poetry by annienomad-cyberpoet


We the People

We are teeming.
We masses.
We inconvenient, 
yet necessary, evil.

Blindered daily by 
well-intentioned talking heads,
their rarely seen hands tied by
parent company,
share-holder interests.

We the People...
befuddled fodder for untold riches.

Only occasionally awakened
by the rising grumblings
of our lowly, restless brethren.

Seasonally riled into
democratically-synthesized
ballot-punching...
made ritually pointless
by emboldened corporate bag men
and government "think tanks", 
who spend tax-payer money
devising covert ways to
keep us from thinking.

We the People... 
who marvel at
our Ponzi Scheme culture.

Admiring the magic trick of
turning public funding into private profit.

...ooohh...aaahhh...

The People...
quasi-breathing citizen/consumers,
providing mindless grist
for modern financial mills.

Up to our muffled ears in debt,
paupers at the polls and pump.

7/6/2012

©2012shareeannegorman


Thursday, June 7, 2012

Peace By Webcam Project



Announcing the 
Peace By Webcam
Project!!!

If you would like to participate in the Peace by Webcam project please go to annienomad's youtube video then tape a reading of "Un-Cry the Call" on your webcam and upload it as a video response! 

Help spread World Peace from your desktop!!


Hold up a photo that you feel best illustrates the horrors of war. 
And record a reading of this poem.
Lets spread the message that war is barbaric. 

"Un-Cry the Call"
(by annienomad-cyberpoet)

Un-drop the cluster bombs
Un-shoot the smuggled guns
Un-bury the abandoned dead

Teach the Joys of Life instead!

Un-orphan the starving child
Un-rape the innocence
Un-shed a people’s tears

Love, transform our ancient fears!

Un-breathe the dying breath
Un-make the Gods of selfless death
Un-mop the countless bloodied floors

Un-cry the call to War!

©shareeannegorman2008



Sunday, March 18, 2012

Syria is Dying - A Poem to World Leaders





SYRIA IS DYING

by Sharee Anne Gorman
(annienomad-cyberpoet)

Syria is dying.
Her cries falling on
prime-time deadened ears.
Her murder witnessed
with eyes made callous
by simulated death
and hearts grown shallow
by the manufactured drama
of groveling contestants
chasing dreams of
fleeting stardom.

Syria is dying.
Media and merchants all culpable,
 for their mindless pursuit
of advertising opportunities
while a country burns.

Her cities sacked.
Her families crushed.
Her ancient blood-lines
severed.

Syria is dying.
Buildings and bodies
reduced to rubble.
What is not initially broken
is left to starve.

Can someone please
tell me,
what does it benefit a ruler
if his throne is dipped in Gold
but his kingdom runs with blood?




©shareeannegorman2012
social poet
http://annienomad.com


I look at the world and I'm afraid there are no more Leaders of Conscience...just self-serving politicians, serving self-serving business men. Both camps addicted to winning. Neither side considering the consequences.